"The sumptuous timbre of soprano Andrea Núñez shimmered with ease over the orchestra." - La Scena Musicale
Photo By: Brent Calis, 2019
Andrea's season is currently on hold due to COVID-19.
The following productions have been cancelled:
Die Zauberflöte with Opéra de Montréal
Aida with Festival de Lanaudière
Praised for her "blinding brilliance," Canadian Soprano Andrea Núñez is establishing herself as a versatile young artist.
Ms. Núñez is currently a member of l'Atelier Lyrique de l'Opera de Montréal. As part of her tenure, she has performed the roles of the Page in Rigoletto, Woglinde in Das Rheingold, and Alice B. Toklas in Ricky Ian Gordon's 27. She also performed the roles of the Governess in The Turn of the Screw in collaboration with the Orchestre de l'Agora and Giulia in La Scala di seta in collaboration with the Orchestre symphonique de la Vallée-du-Haut-Saint-Laurent. This season she has covered the role of Lucia in Lucia di Lammermoor and will perform the role of Erste Dame in Die Zauberflöte.
In 2018, Ms. Núñez returned to Opera Theatre of Saint Louis for her second year as a Gerdine Young Artist and was a recipient of a Richard Gaddes Career Award. That season, she went on to create the role of Pvt. Sonia Gonzalez in the world premier of Huang Ruo & David Henry Hwang's An American Soldier. During her first year at Opera Theatre of Saint Louis, Ms. Núñez performed the role of Butterfly's Cousin in Madame Butterfly and she covered the role of Rosasharn in Ricky Ian Gordon's The Grapes of Wrath.
In 2017, Ms. Núñez had the opportunity to cover the role of Fiakermilli in the Canadian Opera Company's production of Arabella.
Ms. Núñez is an alumnus of the Calgary Opera Emerging Artist Program where she performed the roles of Ellen in Lakmé, and Le Feu and Le Rossignol in L’enfant et les sortilèges, and Papagena in Die Zauberflöte. She also covered the title role in Lakmé and the Queen of the Night in Die Zauberflöte.
In June 2015, Ms. Núñez joined the Santa Fe Opera Apprentice Artist Program where she had her American debut as Monterone’s Daughter/Page in Rigoletto. She also created the role of Laura in the world premiere of Jennifer Higdon’s Cold Mountain. In March and April she had the pleasure of touring Ontario and Quebec performing the role of Norina in Don Pasquale as part of the Jeunesses Musicales Canada Emerging Artist Tour.
Along with her many operatic credits, Ms. Núñez has also performed concert works with the Pax Christi Chorale, the Toronto Mozart Players, and the Toronto Symphony Orchestra.
Ms. Núñez represented Canada at the Queen Sonja International Music Competition in August 2019. In January 2018, she was a semi-finalist at the Voix Nouvelles competition in Massy, France. In 2017 she was District Finalist (Buffalo/Toronto District) at the Metropolitan Opera National Council Auditions and the recipient of the Roberta Peters Award from the George London Foundation. She was also 2017 Laureate for the Jeunes Ambassadeurs Lyrique and the 2016 winner of the Toronto Mozart Project Vocal Competition. She was one of seven finalists at the Canadian Opera Company's Centre Stage Competition in 2016.
Ms. Núñez completed her Bachelor of Music in Voice Performance at the University of Western Ontario under the tutelage of Jackalyn Short. She then went on to complete her Master of Music in Opera Performance at the University of Toronto under the instruction of Nathalie Paulin. She currently studies with Ariane Girard in Montréal.
Ms. Núñez has 11 years of competitive dance training in various styles including ballet, jazz, tap, and lyrical. She is of Peruvian and Chinese heritage and is fluent in Spanish.
Andrea performs "Regnava nel Silenzio" at 23:00
"I was particularly entranced in his scene with the lovely young soprano Andrea Núñez in a pants role as Golaud and Melisande's son Yniold. Their energy was palpable and Núñez's Yniold showed us a mature young performer poised to take the opera world by storm."
— Gregory Finney, Schmopera
"Andrea Carolina Núñez was one of the most technically accomplished singers in the competition and she performed a ‘Caro Nome’ that was full of nuances and displayed the assurance of a seasoned professional."
— Adrian Rodriguez, La Scena Musicale
"[As Despina] Andrea Núñez's brilliant soprano and strong acting skills made for a delightful evening of comedy"
— Dawn Martens, Opera Canada
In the critical role of Susanna, Andrea Nuñez owned the stage. Every movement, facial expression and pose affirmed her portrayed’s personality. An amazing soprano voice that seems completely effortless, she also possesses a constantly smiling façade that can emphasize the lyrics making the translated projections almost superfluous.
— Danny Gaisin, Ontario Arts Review